Chapter 9:
Authorship and performance tradition in the age of technology (with examples from the performance history of works by Luigi Nono, Luciano Berio and Karlheinz Stockhausen)
Angela Ida De Benedictis
Chapter 10:
(Absent) authors, texts and technologies: ethnographic pathways and compositional practices
Nicola Scaldaferri
Chapter 11:
Computer-supported analysis of religious chant
Dániel Biró and George Tzanetakis
Fixing the fugitive: a case study in spectral transcription of Luigi Nono’s A Pierre. Dell’azzurro silenzio, inquietum. À più cori for contrabass flute in G, contrabass clarinet in B flat and live electronics (1985)
Jan Burle
A spectral examination of Luigi Nono’s A Pierre. Dell’azzurro silenzio, inquietum (1985)
Friedemann Sallis
Experiencing music as strong works or as games: the examination of learning processes in the production and reception of live electronic music
Vincent Tiffon