Chapter 4:

Alvise Vidolin interviewed by Laura Zattra: the role of the computer music designers in composition and performance

Laura Zattra

Chapter 5:

Instrumentalists on solo works with live electronics: towards a contemporary form of chamber music?

François-Xavier Féron and Guillaume Boutard

Chapter 6:

Approaches to notation in music for piano and live electronics: the performer’s perspective

Xenia Pestova

Chapter 7:

Encounterpoint: the ungainly instrument as co-performer

John Granzow

Chapter 8:

Robotic musicianship in live improvisation involving humans and machines

George Tzanetakis